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Barbara Crampton Interview


Ahead of Horror Channel’s UK TV premiere of Julian Richards’ REBORN, on Sat 22 August, actress, producer and genre icon Barbara Crampton reflects on how You’re Next changed the direction of her career, the joy of discovering new talent and the possibility of directing one day…
Talk about art imitating real life! REBORN is about a B-Movie actress trying to get back in the game after a career rough patch. Is that what you responded to in the script?

That was certainly something I could relate to. As I hit my late 30’s, jobs started to dry up and the phone didn’t ring as often. I was married around that time and my husband convinced me to move to San Francisco as he was being transferred with his work. I honestly thought I was leaving Hollywood and the film business behind. I wasn’t sad as much as I looked forward to a new adventure with my husband and hoping for the children who came very quickly. I felt that perhaps I had already made my mark in RE-ANIMATOR and FROM BEYOND and that would be that. About six years later, I received a call out of the blue to appear as the mom in YOU’RE NEXT. I did it as a lark, for fun, not knowing the filmmakers or their wild talent and not realizing the new path that special film would put me on. I feel like my character in REBORN was ME hoping to get a part for many years and then being fortunate enough to be offered a stellar film like YOU”RE NEXT. That would be akin to the role my character In REBORN receives from Peter Bogdanovich. So in reality, what happens to Lena in the film happened to me.

Although director Julian Richards had you in mind for the part of Lena O’Neill early on, you were actually cast right at the very last minute. Was that jumping in with virtually no time to prepare a difficult challenge?

Another wonderful actress was cast before me even though Julian had me in mind at the outset. Sometimes casting takes place by committee and not everyone gets their first pick. The other gal wasn’t able to do the part after all and so I was called in with about 48 hours notice. It was a bit harrowing. I read the script once, packed up my car and drove down to LA within 24 hours. I knew many of the people on the film so I really leaned in for advice from our DP Brian Sowell, who also worked on BEYOND THE GATES, Michael Pare who I’d worked on PUPPET MASTER: The Littliest Reich with and the effervescent Rae Dawn Chong, whom I didn’t know, but became a close and trusted ally on set. Julian And I know each other well and he trusted me and I appreciated his gentle care in guiding me along on the role. We filmed many scenes in Brian Yuzna’s house, which doubled for my character’s residence and it was warm and welcoming to see him shuffling about in his slippers during our filming.

CARRIE and FRANKENSTEIN are the obvious inspirations for REBORN. Did you see any other resonances in the script you wanted to draw attention to?

Barbara Crampton ias Lena n REBORN

As far as the character of Tess is concerned those two films are apt references. For me and from the perspective of my character, the film is about regret and second chances and what gets in your way, if you let it. Lena is held back by something in her past. She’s haunted by the death of her daughter and she just can’t move forward. She’s stuck both in both her head and heart. I actually looked at REBECCA 1940, as the leading character played by Joan Fontaine is stuck by the overwhelming shadow of her new husband’s deceased wife. I also used aspects of IT’S A WONDERFUL LIFE. Jimmy Stewart as George Bailey is so consumed by his life, he can’t see the goodness of what’s right in front of him. Of course I always use myself. How would I feel if I were in the same circumstances as my character? My own children mean the world to me and if I’d lost one…. That thought are pretty devastating.

You shot a lot of the movie in Brian Yuzna’s house, the producer of your horror breakthrough REANIMATOR. Did you ask him for that favour? Are all the framed movie posters a fixture in his house or just there to help your character’s back-story?

I believe John Penny, our producer, asked Brian if we could use his house. It’s right off Hollywood Boulevard and it has a lot of old world charm and glamour. Perfect for Lena’s house. Pretty much all the posters you see on the wall belong to Brian and some of the items reflect movies we’ve done together so it was perfect!

What an incredible cast, some you worked with before; Chaz Bono, Michael Pare (PUPPETMASTER: THE THIRD REICH, Rae Dawn Chong, Monte Markham (WE ARE STILL HERE) and more! Is a prior connection a blessing or a curse?

It’s always a blessing unless you didn’t get along with someone! I started my career working with Jeffrey Combs, made 4 projects with him. The familiarity you have with someone always bleeds into the work and there’s a comfort, especially on indie horror where you’re working very quickly. I very much enjoy working with people I know and trust. It was a joy to work with the legend Monte Markham once more. Meeting Chaz Bono was fun, as he is so excited and passionate about the work, although we didn’t have any scenes together. I do love working with new people as well. I feel like I learn something from just about everyone I work with and I am able to collect may new friends along the way.

Did you ever expect to get so busy post YOU’RE NEXT?

No! I thought it would be just a brief return to acting and that would be that. Yet, I had such a great time performing again, I knew I had to return to working if I could. I actively sought out more roles, hired a manager and became reacquainted with my agent. After I did SUNCHOKE, ROAD GAMES and WE ARE STILL HERE, I felt like people knew me again, that I was serious and committed to a second round of my career. People then started to call me. In the last few years, I’ve also been working as a producer and I can easily say I’m more excited about this business than ever! I don’t intend to slow down.

Your career resurgence has been one of the greatest and most gratifying aspects of the current genre scene. What do you see as the main differences between working with Stuart Gordon etc in the 1980s heyday as opposed to now?

There’s more being made. It’s wider field and the kids today know more about all aspects of film making then in the 80’s We all stayed in our lanes then: Director, actor, producer. But many wear more than one hat today and it’s easier and more accessible to be able to go out and make something without a studio. The emergence of smaller film festivals has allowed new filmmakers to find an outlet for their art to be showcased and network with other like-minded creatives. A young filmmaker can get noticed and make a name for themselves through these fests. Hopefully they can parlay that into working on bigger material.
Is directing something you would like to try? If so, what sort of horror subject would attract you the most?

You really need to make a commitment to one project for at least a whole year and while the idea is intriguing to me to direct, I have so many other projects I’m developing as a producer and have the occasional acting gig and so it would be hard to fit in directing a feature. However, I would love to direct a short and I’m keeping my eye out for material for that possibility.

As the First Lady of FrightFest, what value do you see in the global genre festival circuit of which you have become so much a beloved part?

These fests are the lifeblood of independent genre cinema. All these global fests and the talented programmers who run them are like grand hosts who introduce the world to fresh and new voices. They are the biggest champions to new filmmakers, many of whom prove themselves to be so gifted, they are invited back again and again. Without them, how who we meet these new talents? The audiences love to watch new films and studios and distributors send scouts to check out emerging talent at film fests across the globe. Also, I am able to meet many genre loving and passionate cinephiles and the fest circuit is really so much fun! Movies, panels, karaoke, contests, celebrations!

Finally, what’s next for you?

I produced and starred in JAKOB’S WIFE, which we finished filming right before the covid-19 shutdown. We are currently in post and it will be available sometime in 2021. I’m working hard on developing three other features and one TV show. Hope to see you all again soon in the flesh with hugs and love…

REBORN is broadcast on Horror Channel, Saturday 22 August @ 21:00 reborn_barbaracrampton_2-web

Dark Side Index Issues 1 – 210! By Stuart Easton


Our heartfelt thanks go out to DS reader Stuart Easton for doing a job that we have been far too lazy to do ourselves. Over to Stuart to explain:

‘As a genre magazine reader/collector for over forty years, I have accumulated a sizeable stash of treasured mags. As well as enjoying reading my subscription copies when they arrive, I also enjoy entering details into my own database application. This allows me to go straight to specific issues whenever I want to retrieve a review, feature, or whatever.
I have extracted the data for The Dark Side magazine and saved it in a pdf file. No graphics or introductions – just a plain old index for the entire set of DS’s issues 1 to 210. I hope you find this helpful and please feel free to use it as you wish. I have no objections to you sharing this file with other readers, if you want to post it on the website.’

We do indeed, Stuart, and can’t thank you enough for this towering work of genre scholarship!darkside-index-1-to-210






Due to the ongoing situation regarding the lockdown in force both in the UK and abroad we have taken the decision not to publish issue 209 of The Dark Side or issue 27 of Infinity on April 30th. These issues will now hit the shops on June 11th when hopefully all of this sad situation will be behind us. We have gathered many new subscribers in recent days and are very grateful for their support, but since 85% of our sales still come from shops it would be unfair to put these issues out at a time when most people aren’t visiting these places. We have sadly also had to cancel InfiniFest on May 30th and all of those who purchased a ticket have been refunded. Meanwhile, we are pressing ahead on our Invasion! book which will be published early May. Order before May 1st and you will get your name in it, and of course a signed copy. You will also get it for £20, instead of £22.50 which will be the price on the site once the pre-order deadline has passed. We have also reprinted very limited quantities of Infinity 2, 3, 5 and 6 and intend to do the same with issues 7, 8, 9, 10 and 11 in future. Stay safe everyone and we hope to see you at DarkFest on November 28th!





image004Ahead of Horror Channel’s premiere of Pete Walker’s SCHIZO, horror and sexploitation movie writer/director David McGillivray reflects on disastrous scripts, his volatile relationship with Walker and writing smut for Julian Clary
Q: SCHIZO is unusual in your body of work with director Pete Walker because the concept and narrative were not of your choosing. How much of a problem was that for you?

Huge. I thought the script that we re-worked was terribly old-fashioned and this led to big arguments with Walker that ended our relationship.

Q: You often play a cameo in the movies you’ve written – you’re ‘Man at Séance’ in SCHIZO. Any particular reason?

I liked to write myself parts so that I could observe Walker at work. He was an extremely talented exploitation director who influenced the remainder of my career.

Q: SCHIZO exhibits many Hitchcockian references and Pete Walker cites Hitch as a hero. Is he for you too?

Yes, of course. Psycho is one of my favourite horror films.

Q: You’ve written many films for many people in so many genres, but what’s your own personal favourite?

My first film for Pete Walker, House of Whipcord. It was very exciting because it was
the kind of film I’d dreamed of writing.

Scene from SCHIZO

Q: Just prior to SCHIZO you wrote a pop opera in the ROCKY HORROR vein for Pete Walker titled SVENGALI based on George du Maurier’s Gothic melodrama. Do you regret that project being shelved?

No, it would have been a disaster. Walker realised this and cancelled it almost before I’d typed the final page of the script.

Q: Your autobiography Little Did You Know is published in June. Rumour says it’s not your typical memoir though, so what’s it all about?

I don’t want to spoil the surprise. Suffice it to say that after its publication I will never work again.

Q: Your love/hate relationship with Pete Walker is common knowledge. Are there any more scandalous revelations about that in the book?

Oh yes…

Q: You write a lot of the material for comedian. How did that business relationship begin and is this the nearest you can get to the Golden Era of the British sexploitation film you so brilliantly essayed in your book Doing Rude Things?

Writing smut for Julian Clary is my day job. I enjoy it immensely. I have written for him for something like 37 years. In Julian’s latest show, which tours the UK before playing the London Palladium on 8th June, unsuspecting audience members are subjected to so-called ‘Heterosexual Aversion Therapy.’ If you sit in the front row, you deserve all you get.

Q: You’ve announced your next film project is The Wrong People based on the novel by Robin Maugham. So you have no intention of retiring from the film industry just yet?

I love movies. I am fresh from a meeting with a director who bravely has chosen to take on this project. But In all likelihood it is so controversial that probably it will finish both our careers. If Little Did You Know hasn’t finished mine already.

Q: Finally, SCHIZO receives its Horror Channel premiere on Sat April 27th. Will you be watching?

I’m pleased Horror Channel viewers will get the chance to see it, but will I be watching? Certainly not. I can’t bear to see my own work, which is all dreadful.
SCHIZO has its Channel premiere on Horror Channel, Sat 27, 10.40pm.

LITTLE DID YOU KNOW: THE CONFESSIONS OF DAVID McGILLIVRAY is published by FAB Press and it out from June 1.

The Slaughters are Here!


Be sure to join us at DarkFest 2018 for the very first Slaughter Awards ceremony!



For 28 years, and running, the Festival of Fantastic Films has been bringing the best collection of movies and guests to Manchester, and they have excelled themselves again in 2018 with some legendary figures from the world of genre cinema. The Festival has three programme streams containing a terrific range of movie-related events that include Guest Interviews, Discussions, Panels, Special Events, Presentations, Auctions, Artshow and Poster Exhibition, Dealer Room, Themed Dinner Parties and of course an AMAZING number of movies….. the old and the new run alongside each other throughout the festival. For full details go to http://fantastic-films.com/festival/

Dare you join us for the DarkFest 2?


Our second DarkFest is on its way, and this time it’s going to be even bigger and better than the first – so be sure to keep Saturday November 24th free for a full day of fear and frolics with great movies and star guests galore!


DarkFest Final Schedule


Okay folks, DarkFest is imminent, and we have had to make some last minute fine tunings to the running times, so here is how the day will be going. These timings will be slightly different from the printed ones in the brochure because the cinema has just pointed out we need to leave space for introductions etc. Hey, we are new at this, but it will be fun learning!

12:00 – Arrivals. Bar open for guests. Screen open for guests to take seats.

13:00 – Introduction by Allan (5mins)   HORROR EXPRESS. 87mins.

14:32 – Break.

14:45 – Introduction by Allan (5mins)  NIGHT OF THE DEMON. 96mins.

16:26 – Break.

16:40 – Intro by Allan (5mins)  LADY FRANKEINSTEIN. 109mins.

18:35 – Break.

18:50 – Introduction by Allan (5mins)

Salient Minus Ten, Creak, Amicus (35 mins)

19:30 – Break

19:40 – Intro by Allan. (5mins) SUSPIRIA plays with Dario Argento video intro. 100min.

21:25 – Break

21:35 – Intro by Allan. (5mins) CORRUPTION. 90mins.

23:05 – END

DarkFest Film Times


1.15pm: Horror Express.

We kick off our first DarkFest with this fan favourite featuring Peter Cushing and Christopher Lee and Telly Savalas.

3.15: Night of the Demon

Dana Andrews stars in one of the best British horror films ever made – we are screening the brand new 4K print from the BFI.

5.15: Lady Frankenstein

We are proud to present the UK premiere of the Nucleus Films 2K restoration of this grind house favourite starring the lovely Sara Bay (Rosalba Neri)

6.45: Short Movie Fest

Emma Dark’s Salient Minus Ten, Luther Boghal-Jones’ Creak and a trip round Oakley Court with Dark Side’s editor!

7.30: Suspiria

Settle back and prepare to be terrified as we unleash the brand new 4K restoration of Dario Argento’s scariest movie!

9.25: Corruption

Peter Cushing goes on a murder rampage in the Home Counties in this swinging 60s shocker, shown for the first time fully uncut!